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Better Treble Response
3/9/2011 10:27:49 PMThomas Dermody
Some radio speakers, like the one used in the Stromberg Carlson Labrynth, with its aluminum voice coil, or the Magnavox speaker in my Crosley 1117, are capable of reproducing high frequency sounds with remarkable clarity. However, other radio speakers fall short of this, being designed merely to reproduce AM radio only, and hopefully to eliminate annoying static.

In my Airline 14WG-806A, the original speaker sounds amazing, especially since I have reconditioned the cone with a mixture of neatsfoot oil with a couple of drops of dish detergent. It is so flexible now that I can push the edge in without it cracking at all. However, both before and after reconditioning, it does not reproduce crisp treble notes well. I don't listen to AM radio. There is nothing worth listening to in Milwaukee. Instead I use the convenient RCA input jack on the back of the radio to pipe in things like www.pandora.com. While some of the music I like is from the 30s and 40s, and might not carry up into the high treble ranges (though a lot does, actually), I also like some more modern music, and would like it to be reproduced faithfully. I found these neat little tweeter speakers on eBay, and like them because they can be bolted inside of the speaker where they are inconspicuous to the user.

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&_trksid=p4340.l2557&rt=nc&nma=true&item=160535174883&si=aLSqxLwy3YviPToh7XmX5f%252BF5%252FQ%253D&viewitem=&sspagename=STRK:MEWNX:IT#ht_500wt_1156

To use properly, first check polarity of both the main and tweeter speakers with a dry cell. If the main speaker is an ED speaker, power up the radio so that the field is energized. Then wire up the tweeter in parallel, with a capacitor around 10 MFD in series with the tweeter. Adjust capacitance to your liking, or add additional components (chokes, capacitors, etc.) to create a crossover that suits your taste.

I also disconnected one lead of the .001 MFD mica capacitor within the amplifier to further increase high frequency response, added a few capacitors and resistors for negative feedback to my liking, and a couple of other odds and ends. Since I use this radio mostly for listening to Pandora or MP3 music, I want it to sound as life-like as possible. The nice thing about all of these modifications is that they can be easily removed, and, further, they show what a remarkable job of reproducing music these antique radios can do (for anyone who thinks that their technology is inferior).

T.

3/11/2011 9:45:43 PMBob Masse
:Some radio speakers, like the one used in the Stromberg Carlson Labrynth, with its aluminum voice coil, or the Magnavox speaker in my Crosley 1117, are capable of reproducing high frequency sounds with remarkable clarity. However, other radio speakers fall short of this, being designed merely to reproduce AM radio only, and hopefully to eliminate annoying static.
:
:In my Airline 14WG-806A, the original speaker sounds amazing, especially since I have reconditioned the cone with a mixture of neatsfoot oil with a couple of drops of dish detergent. It is so flexible now that I can push the edge in without it cracking at all. However, both before and after reconditioning, it does not reproduce crisp treble notes well. I don't listen to AM radio. There is nothing worth listening to in Milwaukee. Instead I use the convenient RCA input jack on the back of the radio to pipe in things like www.pandora.com. While some of the music I like is from the 30s and 40s, and might not carry up into the high treble ranges (though a lot does, actually), I also like some more modern music, and would like it to be reproduced faithfully. I found these neat little tweeter speakers on eBay, and like them because they can be bolted inside of the speaker where they are inconspicuous to the user.
:
:http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&_trksid=p4340.l2557&rt=nc&nma=true&item=160535174883&si=aLSqxLwy3YviPToh7XmX5f%252BF5%252FQ%253D&viewitem=&sspagename=STRK:MEWNX:IT#ht_500wt_1156
:
:To use properly, first check polarity of both the main and tweeter speakers with a dry cell. If the main speaker is an ED speaker, power up the radio so that the field is energized. Then wire up the tweeter in parallel, with a capacitor around 10 MFD in series with the tweeter. Adjust capacitance to your liking, or add additional components (chokes, capacitors, etc.) to create a crossover that suits your taste.
:
:I also disconnected one lead of the .001 MFD mica capacitor within the amplifier to further increase high frequency response, added a few capacitors and resistors for negative feedback to my liking, and a couple of other odds and ends. Since I use this radio mostly for listening to Pandora or MP3 music, I want it to sound as life-like as possible. The nice thing about all of these modifications is that they can be easily removed, and, further, they show what a remarkable job of reproducing music these antique radios can do (for anyone who thinks that their technology is inferior).
:
:T.
:
: Good idea! Thomas,
I'm thinking I could use that on some $10 am/fm radios that I've been collecting. Definitely something to tinker with. Thanks!
Bob Masse
:
:
3/12/2011 12:14:02 AMEdd










Sir Thomas . . . . .


To further enhance the treble output from the speaker proper add a "whizzer " to the central portion of the cone at the voice coil front using some HEAVY alumin-i-ninny-yum-yum foil to make an aluminum cone.


Looking much like a snow cones paper holder does, with the pointed end cut of at that voice coil diameter and the cone length also trimmed down to make it only extend out about 1---1/12 inches. Then form an aluminum half dome around a large marble (form), etc to get the proper voice coil diameter . . . or even a wee bit larger.


The dome gets cemented way down inside of the added on cone.


That was the most impressive treble addition that I first remembered hearing, back at their common onset, in the early 50's on Quam -Nichols units.




73's de Edd






::Some radio speakers, like the one used in the Stromberg Carlson Labrynth, with its aluminum voice coil, or the Magnavox speaker in my Crosley 1117, are capable of reproducing high frequency sounds with remarkable clarity. However, other radio speakers fall short of this, being designed merely to reproduce AM radio only, and hopefully to eliminate annoying static.
::
::In my Airline 14WG-806A, the original speaker sounds amazing, especially since I have reconditioned the cone with a mixture of neatsfoot oil with a couple of drops of dish detergent. It is so flexible now that I can push the edge in without it cracking at all. However, both before and after reconditioning, it does not reproduce crisp treble notes well. I don't listen to AM radio. There is nothing worth listening to in Milwaukee. Instead I use the convenient RCA input jack on the back of the radio to pipe in things like www.pandora.com. While some of the music I like is from the 30s and 40s, and might not carry up into the high treble ranges (though a lot does, actually), I also like some more modern music, and would like it to be reproduced faithfully. I found these neat little tweeter speakers on eBay, and like them because they can be bolted inside of the speaker where they are inconspicuous to the user.
::
::http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&_trksid=p4340.l2557&rt=nc&nma=true&item=160535174883&si=aLSqxLwy3YviPToh7XmX5f%252BF5%252FQ%253D&viewitem=&sspagename=STRK:MEWNX:IT#ht_500wt_1156
::
::To use properly, first check polarity of both the main and tweeter speakers with a dry cell. If the main speaker is an ED speaker, power up the radio so that the field is energized. Then wire up the tweeter in parallel, with a capacitor around 10 MFD in series with the tweeter. Adjust capacitance to your liking, or add additional components (chokes, capacitors, etc.) to create a crossover that suits your taste.
::
::I also disconnected one lead of the .001 MFD mica capacitor within the amplifier to further increase high frequency response, added a few capacitors and resistors for negative feedback to my liking, and a couple of other odds and ends. Since I use this radio mostly for listening to Pandora or MP3 music, I want it to sound as life-like as possible. The nice thing about all of these modifications is that they can be easily removed, and, further, they show what a remarkable job of reproducing music these antique radios can do (for anyone who thinks that their technology is inferior).
::
::T.
::

:: Good idea! Thomas,
:I'm thinking I could use that on some $10 am/fm radios that I've been collecting. Definitely something to tinker with. Thanks!
:Bob Masse
::
::
:

3/12/2011 2:01:04 AMWarren
I remember those whizzer cone speakers back in the late 60's. Replaced the old sun bleached dash speaker in my 57 Nomad with a new 6X9 blue frame whizzer cone speaker. This radio had the separate power amp with the duel 12V6 outputs. Best sounding speaker for back in the day.

3/12/2011 2:43:10 AMThomas Dermody
It's a good idea! Those whizzer cones work very well!

I also saw a speaker advertised, in the late 1940s by I believe Jensen, that had a hollowed out magnet and a separate treble driver mounted behind the magnet. The treble from this driver traveled through the hollow tunnel in the center, and was amplified by the whizzer cone.

3/12/2011 2:39:21 AMThomas Dermody
I have done that many times with many other speakers, but this particular speaker didn't perform much better with that addition. I have also noticed that, depending on the size, the addition of a whizzer cone can also nullify some obnoxious mid-range tones that the speaker might otherwise produce. This was most pronounced on the Magnavox speaker in my Crosley 1117.

One thing I am going to possibly try in the future, since the original voice coil form is kind of falling apart, is to make a new voice coil form with aluminum, which should hopefully transfer treble to the cone a bit more.

For now, though, the additional tweeter is doing the trick nicely.

T.

3/17/2011 5:12:04 PMcodefox
AM radio as we know it today has an upper limit of 5000 HZ at best. Most AM radios had transformers, output circuits and speakers that blocked out everything under 140 HZ or so, which made filtering the B+ supply much less expensive. Early recordings (i.e.78's) were not much better.

Whizzer cones. c'mon, Ya canna change the laws of physics. Who said that?

:Some radio speakers, like the one used in the Stromberg Carlson Labrynth, with its aluminum voice coil, or the Magnavox speaker in my Crosley 1117, are capable of reproducing high frequency sounds with remarkable clarity. However, other radio speakers fall short of this, being designed merely to reproduce AM radio only, and hopefully to eliminate annoying static.
:
:In my Airline 14WG-806A, the original speaker sounds amazing, especially since I have reconditioned the cone with a mixture of neatsfoot oil with a couple of drops of dish detergent. It is so flexible now that I can push the edge in without it cracking at all. However, both before and after reconditioning, it does not reproduce crisp treble notes well. I don't listen to AM radio. There is nothing worth listening to in Milwaukee. Instead I use the convenient RCA input jack on the back of the radio to pipe in things like www.pandora.com. While some of the music I like is from the 30s and 40s, and might not carry up into the high treble ranges (though a lot does, actually), I also like some more modern music, and would like it to be reproduced faithfully. I found these neat little tweeter speakers on eBay, and like them because they can be bolted inside of the speaker where they are inconspicuous to the user.
:
:http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&_trksid=p4340.l2557&rt=nc&nma=true&item=160535174883&si=aLSqxLwy3YviPToh7XmX5f%252BF5%252FQ%253D&viewitem=&sspagename=STRK:MEWNX:IT#ht_500wt_1156
:
:To use properly, first check polarity of both the main and tweeter speakers with a dry cell. If the main speaker is an ED speaker, power up the radio so that the field is energized. Then wire up the tweeter in parallel, with a capacitor around 10 MFD in series with the tweeter. Adjust capacitance to your liking, or add additional components (chokes, capacitors, etc.) to create a crossover that suits your taste.
:
:I also disconnected one lead of the .001 MFD mica capacitor within the amplifier to further increase high frequency response, added a few capacitors and resistors for negative feedback to my liking, and a couple of other odds and ends. Since I use this radio mostly for listening to Pandora or MP3 music, I want it to sound as life-like as possible. The nice thing about all of these modifications is that they can be easily removed, and, further, they show what a remarkable job of reproducing music these antique radios can do (for anyone who thinks that their technology is inferior).
:
:T.
:

3/18/2011 1:17:28 AMThomas Dermody
I'm not even going to bother with this response. Read the post. Then realize that your reply has nothing to do with what I posted.
3/18/2011 10:40:13 PMcodefox
Didn't mean to offend. AM radio (today) is what it is. Definitely yess, you could get great bass response with a good set and proper speaker, but the 5KHZ top end still stands, no?

:I'm not even going to bother with this response. Read the post. Then realize that your reply has nothing to do with what I posted.
:

3/18/2011 11:05:13 PMThomas Dermody
I pipe in MP3s and pandora.com through the RCA jack on the back of the set (Airline 14WG-806A), or through a cable on the back of the radio that I installed (when using other radios). Sounds absolutely fantastic! Everyone I know is astonished at the sound quality. Most of my better radios I have installed negative feedback and a bit of extras to this to tailor the audio a bit, though often not much. I just can't stand an amplifier without negative feedback, so for all of my radios that I listen to high fidelity music through, it is a must.

I also did this to my 1940 Silvertone Radio Recorder, which plays 78s. The sound quality is very pleasing, and you'd be surprised at how high the frequency range is on 78s. The popular ones sound terrific, and my Columbia Masterworks and Victor Red Seals (from the 1940s) are unbelievable. I have one set, Kostelanetz does Cole Porter, and the frequency response is out of this world. The surfaces are also very quiet. Flutes and violins have all of the breadth and freshness that you'd expect to hear from a superb recording. 78s might not be the optimum medium for recording, mostly because of the surface noise, but they can sound great. I use a stereo cartridge wired mono, and a very nice diamond needle that still hasn't shown signs of wear, and I installed it over a year ago. I used to use sapphire, but sapphire chips easily, and would start tearing into my records after only a month or so of use. Not so with this diamond needle.

The phonograph also uses its original 6" electrodynamic speaker. I added a whizzer cone for the Kostelanetz records because I knew something was missing. When played on a high fidelity phonograph with appropriate speakers, the records will amaze you. Except for the surface noise (more of a soft rumble than hiss), it sounds almost like you're there in the orchestra. The speaker on my Silvertone isn't quite ideal, but it does a good job, and I really do not want to replace it. I also removed the small value tone capacitor from the plate circuit of the 1st audio for better high end. All of this can be changed back if you want a brute-force amplifier with excessive mid-range, and a stiff set-screw type cartridge with steel needles that gouge up the records, but I enjoy my records too much to limit myself like this.

My Crosley Super 11 impresses everyone when I play pandora.com through it. The neighbors complain and tell me to turn off my sub-woofer. The bass is overwhelming. I added a 2.5 inch whizzer cone to the original 10" Magnavox electrodynamic speaker. The speaker is capable of incredible treble response right into regions that you'd never expect from a 1930s radio speaker. Unfortunately the speaker has a bit too much upper mid-range, which I could trim off with either a crossover network or additions to the negative feedback circuit which I added to the amplifier (a few capacitors and resistors from the 1st output plate back to the plate of the 1st audio amplifier, with others to ground to trim out negative feedback at certain frequencies to accentuate those frequencies). Though the radio does have a bit too much mid-range in a very odd register, it sounds great once you get used to it, and I have heard far worse from several luxury brand car radios.

T.



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