73’s de Edd
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:I’ve got a question concerning hookup wire. Is there any logic to color? I’ve restored about 15 sets and I haven’t been able to determine any specific pattern associated with the use of particular colors. I’ve seen sets with two colors, three colors and more. It appears that there is some sort of logic to the selection and placement of the various colors but I can’t figure it out. The reason I ask, is that I’m going to have to replace all of the wire in a GE A-52 and I don’t want to buy several different colors of wire unless there’s a logical (not cosmetic) reason to do so. Also, is there an advantage to using braided wire as opposed to solid strand?
73’s de Edd
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:
::I’ve got a question concerning hookup wire. Is there any logic to color? I’ve restored about 15 sets and I haven’t been able to determine any specific pattern associated with the use of particular colors. I’ve seen sets with two colors, three colors and more. It appears that there is some sort of logic to the selection and placement of the various colors but I can’t figure it out. The reason I ask, is that I’m going to have to replace all of the wire in a GE A-52 and I don’t want to buy several different colors of wire unless there’s a logical (not cosmetic) reason to do so. Also, is there an advantage to using braided wire as opposed to solid strand?
If I remember correctly black was filaments and blue was audio. I don't recall what color was used for rf stages such as the i.f. amps. and osc.
Stranded wire is better for runs that are subject to flexing.
Thanks for the info. Phil. That's exactly what I was looking for.
Leon