Is there a reason why this speaker can't be reconed? Merely attach the original voice coil to a new cone. If the spider is internal to the cone, cut the cone just before the spider and drop this down into the new cone and glue into place.
www.electronix.com speakers accessories cones
Gave a link at the bottom of my post. Members here have been using that link for years now.
This is similar to situations where the original cone has an internal spider, and the cone is cut away only up to the spider. The portion between the spider and voice coil is left in tact, and if brittle, can be saturated with watered down Elmer's glue or super glue. Sewing glue can also work.
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Hi... all you CRCers! Well, if you had read last month's 'Box article on the restoration of antique speaker permanent magnets, you might have caught the comment I made about doing a subsequent article on the restoration of antique speaker paper cones. Some of the guys mentioned that they thought that Leamon Brooks, one of our very knowledgeable CRC members, had some information for making flat stock paper patterns that could then be formed into the desired sized speaker cones. To make a long story short, indeed, Leamon is a fund of knowledge on the subject. So, I want to give a lot of thanks and credit to Leamon Brooks not only for mailing me a copy of his speaker cone data table, but also for spending time with me to talk through some of the finer points of constructing replacement early speaker cones.
During the 20's and even into the early 30's, most speakers didn't have much "hi" to their "fi". For all intensive purposes the first ones were merely a horn attached to an earphone. The next step was to remove the horn and metal acoustical diaphragm and replaced these parts with a paper cone attached to a mechanical linkage that was in turn operated by a coil/magnet assembly (see Nov/94 Flash 'Box article). This type of speaker was far better than the horn speaker, but pretty soon engineers developed the first models of the modern day speaker. That is, a speaker with a compliant cone that was integrally attached to a low mass voice coil that in turn was operated by it's close proximity to a strong stationary magnet.
Many of the old paper cone speakers have survived and they sure do add authenticity to the display and operation of the radios that they were originally attached to. Unfortunately, time, dampness, pests and abuse have taken their toll on many a paper cone. But as you will see, replacing a cone is not all that tough, and it can be done very inexpensively.
Although the cones of the various speakers came in many different sizes and colors, they had two characteristics that make them fairly easy to replicate with modern materials. First, most of them were constructed with a paper that had the constitution similar to medium grade tag board - which is easily found in most art supply stores. Second, they almost always had the shape of a regular cone - which lends itself to a simple construction technique.
So, let's take a stab at reconstructing one of these speaker cones. The first thing to do is to determine your original cone's depth from the opening that faces the listener to the back where it comes to a point. Actually, the exact point is normally missing as this is the usual place where the mechanical linking rod is connected. Next, you need to determine the width of the cone's opening. In cases where the cone is missing or beyond useful measuring, you would use the speaker shell/container and linkage connecting points to anticipate the cone's dimensions. Don't forget, tag board is cheap, and you can afford to make a mistake or two when arriving at your final accurate measurements. You may also want to "play" with other even cheaper papers until you get the dimensions just right.
The next step is to calculate and mark cutout guidelines on the tag board paper, using the depth and width measurements that you just made. There are two calculations to make. First is the diameter of the circular pattern, and second is a circle chord line that will indicate what size "pie" shaped section to cut out of the pattern to correctly form it into a cone shape. At this point you can go a couple of ways;
* You can use the formulas below that I worked out.
* Or, you can use the simple PC BASIC program below that I wrote.
To find the pattern diameter and chord by formula follow these steps;
Use the depth (h) and width (w) of the cone to find the diameter (D);
__________
\/ 4hh + ww
or... D = The square root of the quantity of 4 times the(depth squared plus the width squared
Find the "pie" shaped section cutout angle (a);
a = 360(D-w)/D
or.. a = 360 times the quantity of the newly found diameter minus the width, all of which is divided by the newly found diameter
Find the chord length (C);
C = Dsin(a/2)
or.. C = the newly found diameter times the sine of one half of the newly found cutout angle
Be aware that if you do the above calculations with a scientific calculator you may need to account for the angle in radians rather than in degrees (as is the case of the BASIC program below).
Radians = Degrees X pi / 180 (pi=3.141)
To find the pattern diameter and chord by a simple PC BASIC program;
10 INPUT "Enter required cone depth ",H
20 INPUT "Enter required cone width ",W
30 PRINT "Pattern diameter = ";:D=SQR((4*H*H)+(W*W)):PRINT D
40 PRINT "Pattern chord = ";:PRINT D*SIN(360*(D-W)/D*3.141/180/2)
Get Complete Basic Source Code
OK, we're now ready to make our tag board pattern.
Using the diameter (D), draw a circle on your paper. If you don't have a suitable pencil compass use the string/pin/pencil method to draw your circle.
Using the chord (C) as the length of a line, draw this line so that it starts and ends exactly on the circumference of the circle. The exact position around the circle is unimportant.
Now, draw a triangle connecting the center of the circle with the two points that are marked by where the chord line touches the circumference of the circle. The chord line itself will become the side of the triangle that is opposite the center of the circle.
At this point we have drawn the outline of a "pie" shaped section of paper that you need to cut away - after you have cut out the entire circle. But first However, in order to allow a lapped glue joint, you need to include an additional 1/4" to 1/2" strip along side one of the radii that you will be cutting along. Be sure this additional paper area is marked/taken from the section that you are cutting out (throwing away) and is accounted for AFTER you have drawn the correct guidelines as described in step #3. This lap strip will have to have it's end corners trimmed a bit so that they don't interfere with the glue joint.
After you have completely cutout your pattern you can begin to shape it into a cone by carefully easing the two cut sides together so that it forms the lapped joint. The trick will be not to kink or crease the paper as you wrap it around. I've used cans and other cylindrical objects as forms to help "ease" the paper into a curve without creasing it.
The next step is to glue the lap joint in place. Leamon likes to use a carpenter's glue. This type of glue will allow you to do a little adjustment or moving of the joint before it sets up. This is important in that the position of the paper in the lapped joint will determine just how symmetrical your cone will be - assuming that you've done your marking accurately to begin with. Leamon says that some folks sand the visible edge of the joint to "feather" out the seam to make it less noticeable (whew, and I thought Dave Boyle was finicky!).
A troublesome area may be the mounting of the front opening of the cone. The problem is that there were many ways to do the mounting, so you'll just have to see how your original cone was done. Sometimes the cone was rolled/bent around a cover edge. Sometimes the cone was attached to a ring of felt, cloth or other paper. Sometimes the front opening of the cone was free floating and was supported in a guide made of a band of felt or other material that lined the cabinet interior.
Hey, that's basically it. For those cones that are visible and have colors other than the "raw" paper, you can lightly tint them with a non-water based paint. Flat spray colors will be the easiest to apply, but you'll have to decide for yourself what replicates the original cone the best.
Be careful. There is often three or four hundred volts on the field coil! I found this out about 50 years ago when the field coil in a old RCA radio phonograph threw me up against a wall.